Tom Mitchell

Orcid: 0000-0003-0761-9503

Affiliations:
  • University of the West of England, Bristol, Department of Computer Science and Creative Technologies, UK


According to our database1, Tom Mitchell authored at least 30 papers between 2005 and 2022.

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Bibliography

2022
The impact of data sonification in virtual reality robot teleoperation.
Frontiers Virtual Real., 2022

Survival of the synthesis - GPU accelerating evolutionary sound matching.
Concurr. Comput. Pract. Exp., 2022

HyperModels - A Framework for GPU Accelerated Physical Modelling Sound Synthesis.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

Studying How Digital Luthiers Choose Their Tools.
Proceedings of the CHI '22: CHI Conference on Human Factors in Computing Systems, New Orleans, LA, USA, 29 April 2022, 2022

2021
Assessing the Role of Gaze Tracking in Optimizing Humans-In-The-Loop Telerobotic Operation Using Multimodal Feedback.
Frontiers Robotics AI, 2021

2020
The evolutionary history of 2,658 cancers.
Nat., 2020

There and Back Again: The Practicality of GPU Accelerated Digital Audio.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Composing computer generated music, an observational study using IGME: the Interactive Generative Music Environment.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

Towards molecular musical instruments: interactive sonifications of 17-alanine, graphene and carbon nanotubes.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

Was that me?: exploring the effects of error in gestural digital musical instruments.
Proceedings of the AM'20, 15th International Audio Mostly Conference, Graz, 2020

2019
An open-source multi-person virtual reality framework for interactive molecular dynamics: from quantum chemistry to drug binding.
CoRR, 2019

The use of different feedback modalities and verbal collaboration in tele-robotic assistance.
Proceedings of the 13th IEEE International Symposium on Robotic and Sensors Environments, 2019

OpenCL vs: Accelerated Finite-Difference Digital Synthesis.
Proceedings of the International Workshop on OpenCL, 2019

2018
Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians.
Digit. Creativity, 2018

Sonifying stochastic walks on biomolecular energy landscapes.
CoRR, 2018

Understanding User-Defined Mapping Design in Mid-Air Musical Performance.
Proceedings of the 5th International Conference on Movement and Computing, 2018

Returning to the Fundamentals on Temperament (In Digital Systems).
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018

2017
A user experience review of music interaction evaluations.
Proceedings of the 17th International Conference on New Interfaces for Musical Expression, 2017

2016
Leimu: Gloveless Music Interaction Using a Wrist Mounted Leap Motion.
Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 2016

Evolving Atomic Aesthetics and Dynamics.
Proceedings of the Evolutionary and Biologically Inspired Music, Sound, Art and Design, 2016

Tangible Interfaces for Interactive Evolutionary Computation.
Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 2016

2015
Simple Synchronisation for Open Sound Control.
Proceedings of the Looking Back, 2015

2014
Controlling Physically Based Virtual Musical Instruments Using The Gloves.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Making the Most of Wi-Fi: Optimisations for Robust Wireless Live Music Performance.
Proceedings of the 14th International Conference on New Interfaces for Musical Expression, 2014

Turnector: Tangible ControlWidgets For Capacitive Touchscreen Devices.
Proceedings of the Music Technology meets Philosophy, 2014

2012
Automated evolutionary synthesis matching - Advanced evolutionary algorithms for difficult sound matching problems.
Soft Comput., 2012

Musical Interaction with Hand Posture and Orientation: A Toolbox of Gestural Control Mechanisms.
Proceedings of the 12th International Conference on New Interfaces for Musical Expression, 2012

2011
SoundGrasp: A Gestural Interface for the Performance of Live Music.
Proceedings of the 11th International Conference on New Interfaces for Musical Expression, 2011

2007
Evolutionary Sound Matching: A Test Methodology and Comparative Study.
Proceedings of the Sixth International Conference on Machine Learning and Applications, 2007

2005
Convergence Synthesis of Dynamic Frequency Modulation Tones Using an Evolution Strategy.
Proceedings of the Applications of Evolutionary Computing, 2005


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