Juan Pablo Martinez-Avila

Orcid: 0000-0002-5029-8541

Affiliations:
  • University of Nottingham, Mixed Reality Lab, UK


According to our database1, Juan Pablo Martinez-Avila authored at least 12 papers between 2018 and 2023.

Collaborative distances:
  • Dijkstra number2 of four.
  • Erdős number3 of four.

Timeline

Legend:

Book 
In proceedings 
Article 
PhD thesis 
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Other 

Links

Online presence:

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Bibliography

2023
Infrastructures for Virtual Volunteering at Online Music Festivals.
Proc. ACM Hum. Comput. Interact., April, 2023

Mobility and Utility in Robot Mediated Interaction: An Interactive Workshop for the Identification of Use Cases and Affordances of Telepresence Robots.
Proceedings of the 25th International Conference on Mobile Human-Computer Interaction, 2023

2022
Being (A)part of NIME: Embracing Latin American Perspectives.
Proceedings of the 22nd International Conference on New Interfaces for Musical Expression, 2022

2021
Unpacking Non-Dualistic Design: The Soma Design Case.
ACM Trans. Comput. Hum. Interact., 2021

Articulating Soma Experiences using Trajectories.
Proceedings of the CHI '21: CHI Conference on Human Factors in Computing Systems, 2021

2020
Soma Design for NIME.
Proceedings of the 20th International Conference on New Interfaces for Musical Expression, 2020

2019
Demo hour.
Interactions, 2019

Improvising a Live Score to an Interactive Brain-Controlled Film.
Proceedings of the 19th International Conference on New Interfaces for Musical Expression, 2019

Encumbered Interaction: a Study of Musicians Preparing to Perform.
Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems, 2019

Augmenting Guitars for Performance Preparation.
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019

2018
The Problem of DMI Adoption and Longevity: Envisioning a NIME Performance Pedagogy.
Proceedings of the 18th International Conference on New Interfaces for Musical Expression, 2018

An AI-Based Design Framework to Support Musicians' Practices.
Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion, 2018


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